The experience started off great.īut it was in this color mode’s Saturation and Brightness components that I became frustrated. I knew how one color related to another by how far apart their Hue angles were. Like the Munsell color system, I could choose a Hue angle for colors. I eventually migrated towards the HSB color mode. I could look at a Pantone process color guide, find the swatch matching closest to Yellow Ochre, for example, and then assign either the CMYK or RGB values in the Adobe Color Picker (similar to the process I’ve done many times before for graphic design projects).īut I often found the process of painting with these Pantone chosen colors frustrating because: A) I rarely found swatches that were a clear match to my artist pigments B) judging the resulting mixed colors and how they might print was often tedious and, ultimately, C) it was mostly guess work defining the characteristics of colors and how they relate to one another with this method.
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